Shure SM-7B Podcasting Microphone Kit with Focusrite Scarlett 2i2 Audio interface & Multiple Accessories Shure Outlet Sale

Built to deliver top-shelf sound in a compact, bag-friendly, and easy-to-use format for singer-songwriters, guitarists, and podcaster duos, the third-generation Focusrite Scarlett 2i2 2×2 USB audio interface lets artists and content creators score pro-level tone with no learning curve, no matter where they go.

Equally capable for tracking vocals and instruments, the two improved Scarlett microphone preamps feature switchable phantom power for condenser mics and a selectable-per-channel Air circuit, which adds clarity-enhancing brightness based on Focusrite’s legendary ISA preamplifier. The two XLR-1/4″ combo inputs are outfitted with switches that allow them to accept signal directly from electric instruments such as guitar and bass or from line-level sources such as stereo mixer outputs or a hot feed from a drum machine.

Unlocking the ability to record at standard CD-quality or high-fidelity resolutions, the 24-bit / 192 kHz AD/DA converters ensure that signals are captured and reproduced with detail and accuracy. Listen through headphones or connect active speakers to the balanced 1/4″ monitor outputs, and enjoy independent control of the headphone and speaker volume settings. Use selectable direct monitoring in mono or stereo to hear your live input signal with no distracting echo or latency.

With its bus powering for uninhibited portability, space-saving USB Type-C connection, and extensive software bundle including virtual instruments, plug-in effects, loops, and more, the Scarlett 2i2 gives you plenty of powerful tools to kick-start your inspiration; just plug the Scarlett 2i2 into your Mac/Windows computer or iPad Pro (with USB Type-C), fire up your preferred audio recording software, and let the creativity flow.

The Cloudlifter CL-2 Mic Activator from Cloud Microphones is a compact, dual-input solution for common audio problems in the field and in the studio involving low-output passive microphones, including ribbon mics. The CL-2 uses any standard phantom-powered mixer or microphone input device to provide up to +25 dB of clean, transparent gain. This improves signal-to-noise ratio and improves the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications. The CL-2 is housed in a rugged steel enclosure which offers shielding and durability.

The HPA-4X2 4-Channel Stereo Reference Headphone Amplifier from Polsen features a durable and compact design and can be used for a variety of professional and project applications including studio recording and stage monitoring, or any application that requires multiple headphone connections. Features include a wide frequency response of 20 Hz to 20 kHz with low distortion at high volumes and no signal loss when all 4 headphone outputs are used simultaneously. Each of its four channels allow for independent volume control. Thanks to its Link feature, you can daisy-chain multiple HPA-4X2s together to cater to your needed headphone count.

The unit features a 1/4″ stereo TRS input and stereo RCA inputs. Its mono button allows for mono signal compatibility. For headphone outputs, it features four 1/4″ TRS connectors. To assure compatibility with a variety of headphones, Polsen includes four 3.5mm to 1/4″ adapters as well as a stereo mini cable that, when used with one of the included adapters, allows you to connect a device with a 3.5mm output.

Updated with a brand new look, the Shure SRH440A closed-back, over-ear studio headphones provide high-quality audio reproduction and effective noise isolation for home recording, studio monitoring, and DJ mixing. Lightweight and sturdy, the headphones can also fold down for easy storage and transportation in the included carrying bag.

The SRH440A have large 40mm drivers that deliver clear, detailed audio with a wide frequency response of 10 Hz to 22 kHz. The closed-back, circumaural design helps reduce ambient noise, and the thick replaceable earpads yield long-lasting comfort. The headband is adjustable and generously cushioned to ensure a pleasing fit on a range of head sizes.

The coiled, single-sided cable allows a variable amount of slack, resists tangles, and can be detached for easy replacement. It has a bayonet clip to keep it securely attached to the earcup. The gold-plated 3.5mm TRS mini plug and 1/4″ adapter enable compatibility with MP3 players and mobile devices as well as DJ mixers and audio interfaces.

The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It’s ideal for broadcast, voiceover, and podcasts.

The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb / 2.27kg. The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8″-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.

The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3″ thick. The C-clamp’s slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14″ riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.

The 3 foot PM-TRS 1/4″ TRS Male to 1/4″ TRS Male Interconnect Cable from Pearstone features Rean connectors with nickel-plated contacts on both ends, 24-gauge oxygen-free copper conductors, and spiral shielding to protect against EMI and RFI noise. Additionally, twin conductive PVC shields reduce electrostatic noise and provide a clean signal path while retaining good flexibility for those occasions that demand it.

The connector’s molded strain relief over metal shells provides excellent durability and allows for increased protection between the OFC conductors and the connectors. The cable is ideal for both live and studio applications, including connecting powered speakers to studio monitor controllers, or connecting synthesizers and outboard gear to mixers, or wherever balanced connections are indicated.

The black Kopul Premium Performance 3000 Series XLR Male to XLR Female Microphone Cable (6′) is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and provide protection against EMI, RFI, and static noise. While the cable’s color-coding affords the ability to quickly differentiate between multiple connections on stage, it provides a pleasant aesthetic quality at the same time.

Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that’s wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. The 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.