Shure KSM32/SL Project-Studio Vocal Solution Shure Outlet Sale

Featuring integral pop protection and shock-mounting plus a large-diaphragm true condenser capsule and transparent Class-A circuitry, the champagne Shure KSM32/SL microphone is built to deliver excellent transient response and neutral tone in the studio or on stage. Its flat frequency response and selectable settings—two low-cut filter options and a -15 dB pad—make the KSM32/SL honest and versatile, so it can be used on anything from vocals and guitars to drums and piano. The SL model comes with a ShureLock shockmount, ShureLock stand mount, velveteen pouch, and hard shell carrying case.

The uniform cardioid polar pattern of the KSM32/SL helps reduce the capture of stage bleed and background noise, allowing you to achieve more gain and stronger direct sound. The built-in pop protection utilizes three separate layers to minimize noise from vocal plosives, breaths, and even light wind. Internal shock-mounting helps to decouple the mic from sources of vibration that could otherwise transfer from the mic body to the capsule. Being a solid-state XLR condenser mic, the KSM32/SL requires 48V phantom power.

The Presonus Studio Channel is a channel strip that features a tube preamp, a VCA compressor, and a 3-band parametric EQ. The tube preamp section features two knobs: Gain and Tube Drive. This allows you to adjust the amount of signal that hits the tube circuitry, opening up a wide range of sonic options. The VCA compressor section is well-suited to help all different kinds of audio sit nicely in a mix, whether it’s percussion with fast transients, or smooth and silky vocals. The parametric EQ features a custom amplifier with a gain control on each of the 3 bands, with a variable Q knob on the mid frequency.

If you’re curious about outboard gear and want to upgrade your signal path from the stock preamp found on most audio interfaces, the Presonus Studio Channel is an excellent choice for deeper sonic exploration. Likewise, experienced professionals will appreciate the Studio Channel’s solid set of sound shaping tools, as well as its afforable pricetag.

Allowing you to tracks isolated vocals and instruments, the SPACE Reflection Filter from sE Electronics features a 10-layer acoustic filter design that surrounds your microphone and limits the amount of direct sound that reaches your room, therefore reducing the amount of reflections headed back toward the microphone. The SPACE (Specialized Portable Acoustic Control Environment) filter is constructed of 7 vertical bass pillars and employs sE Electronics’ Multi-Layer Air-Gap technology. It mounts to your stand with a vertically and horizontally adjustable and lockable clamp that can be tilted to accommodate instrument recording.

The Auray PFSS-55 Pop Filter with Gooseneck with Springloaded Desktop Clamp features double-layered nylon to greatly reduce noise from aspirated plosives like p and b sounds. The PFSS-55’s double-layered nylon filter gently disperses the explosive rush of air from speaking and breathing, while protecting your microphone from corrosive moisture.

The flexible gooseneck makes it easy to position the filter exactly where you need it, the spring-loaded, clothespin clamp provides fast and easy mounting. The locking bolt holds the PFSS-55 firmly into place. These features make the PFSS-55 Pop Filter ideal for desktops and also compatible with microphone stands.

The SMS7630B (Black) from On-Stage Stands is a heavy duty Studio Microphone Stand with a telescoping boom. This stand utilizes an internal air suspension which can rest on its rubber feet or the optional casters for extra mobility. With its 17 lbs hex-base, the SMS7630B has stability plus saves room on your studio floor. The telescoping boom can adjust from 32-49″ and the boom will angle 320° while the base has height adjustment from 42-70″.

The SMH-1000 Professional Field and Studio Monitor Headphones from Senal feature a classic closed-back, over-the-ear, collapsible design. With features like interchangeable cables, a refined frequency response, wire guides, superior comfort, and durable materials, the SMH-1000 is ideal for studio and field applications.

Equipped with 40mm neodymium drivers at 58-ohm impedance, the SMH-1000 headphones are designed to be loud enough when attached to low powered devices such as mobile phones and MP3 players, yet robust enough to handle studio headphone amps without distortion.The over-ear, closed-back design is intended to help block unwanted outside noise, which is useful in professional field recording and studio monitoring scenarios where isolation is critical.

The headphones are designed with an EQ curve that’s been tailored for a slightly enhanced low end that allows field engineers to detect wind noise more effectively and enables studio engineers to monitor bass and sub-bass frequencies. The high-frequency response has been extended to accurately reproduce spatial detail. There is also a pronounced but smooth midrange that reduces ear fatigue over prolonged periods, while maintaining focus on vocal and dialogue intelligibility.

Designed for flexibility as well as great sound, the SMH-1000 makes use of twist-lock detachable cabling. There are two detachable cables included in each box that can be used interchangeably. There is a stretchable 4 to 10′ coiled cable that provides better mobility and reach, that also helps prevent snags from pulling the headphones off of your head. This can be useful when navigating through gear-cluttered recording studio environments. There is also a 3′ straight cable that is useful when less slack is ideal, such as when using a waist-mounted field recorder or mixer, or when using your mobile device.

The SMH-1000 has been built with convenience, practicality, and comfort in mind. The headphones have a collapsible folding mechanism for compact storage and transport. They also have wire guides to keep the earcup wires from pinching. Furthermore, they are fitted with a padded headband and soft replaceable ear cushions to maximize comfort during extended listening.

The black Kopul Premium Performance 3000 Series XLR Male to XLR Female Microphone Cable (20′) is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and provide protection against EMI, RFI, and static noise. While the cable’s color-coding affords the ability to quickly differentiate between multiple connections on stage, it provides a pleasant aesthetic quality at the same time.

Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that’s wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. The 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.